Insomnia, anxiety, break-ups … musicians on the dark side of touring | Music | The Guardian
Musicians talk about the psychological dangers of life on tour. Mental health professional John C Buckner writes: “When the body. Seven Reasons Why You Should Date a Classical Musician. By Due to their extremely dynamic lives and to their multi-faceted repertoire they. A recent voyancegeni.us discussion thread (Have you ever invited your (future) a classical music fan but welcome any date night amid our busy life with . going to professional performances, buying CDs late at night during.
You'll always come second No matter what plans you make, a rehearsal will overrun or someone will pull out of a concert at the last minute.
Or maybe there's just not enough rosin on their bow and they forgot to come meet you at this bar round the corner from where they live so it'd be really easy and they'd be guaranteed to make it but they didn't because of the bow and rosin issue. Musician in-jokes are the worst if you don't get them And don't even try to join in with them. If you start laughing at a joke you don't understand, expect to be questioned on exactly why the phrase 'More like portamental!
Your schedules will never match up Taking on a musician as a partner will tire you out. If you're working comparatively normal hours, you'd better get used to the sight of no-one opposite you at the dinner table. When they do hang out with you, they over-compensate The inevitable guilt of not spending any time with you has some undesirable side-effects.
Smothering being chief among them. No matter how supportive you are, you'll never 'get' your partner The phrase "but I thought you played really well!
Insomnia, anxiety, break-ups … musicians on the dark side of touring
Same goes for consoling after failed auditions, bum notes and tripping over on stage. Living with someone who practises.
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When I play in public, I really feel this, going profoundly through every emotion I try to express. I'm expected to say something like "it's an exalted feeling, I hardly know where I am, or whether I'm physically present because music takes me to 'another' place". It rarely feels like that. Most of what I feel onstage is intense concentration.
Counting like mad, working out my next fingering, matching bow-strokes with the players around me, listening for a cue that comes from across the stage, wondering "WTF? I always do battle with feelings of insecurity as I play.
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Was that 'good' enough? I'm constantly competing with a perfect image I have of how I want something to sound vs what I hear myself producing, so there's a constant level of frustration. And yet, one gets used to all this. It's normal by now I've supported myself exclusively since the age of 17 by playing the cello.
There are times when everything magically comes together and the music IS transporting and otherworldly. But we never know when that will happen, just as we never know when fate is about to throw lightning bolts at us. There is a saying in the profession, which hurts because it's true: And THAT's the most important part. Can be physically grueling I do play violacan require intense concentration of every faculty at once - but can also be boring.
As a string player, I am busy and don't watch the conductor enough to form opinions or make a lot of observations about their "style" of conducting. I basically look up when absolutely necessary.